A widowed mother and her son change when a mysterious stranger enters their lives.

Ted Brautigan

Robert 'Bobby' Garfield

Elizabeth 'Liz' Garfield

Carol Gerber

Adult Bobby Garfield

Monte Man

Len Files

Alana Files

Mrs. Gerber

Harry Doolin

Don Biderman

Mr. Oliver

John Sullivan

Sports Announcer (voice)

Richie O'Rourke

Sully's Dad

Low Man
This is certainly a case of less is more from Sir Anthony Hopkins. His considered performance as "Ted" lends much to this otherwise rather simple story of a widow (Hope Davis) and her young son "Bobby" (Anton Yeltsin). He befriends the young boy - much to the suspicion of the rather selfish, but loving, mother - and soon they are sharing confidences and the odd secret power as their bond gradually cements. It looks at the story from the older man's perspective as he reminisces about his own youth and from an engaging, enthusiastic Yeltsin's as the kid having his first love, dealing with school bullies etc.. It's delicately delivered: it has pace, but it is slow and thoughtful - and is a fairly faithful rendition of Stephen King's original story. Michael Danna's gentle accompaniment helps the story nicely, too.
September 28, 2001

Ted Brautigan

Robert 'Bobby' Garfield

Elizabeth 'Liz' Garfield

Carol Gerber

Adult Bobby Garfield

Monte Man

Len Files

Alana Files

Mrs. Gerber

Harry Doolin

Don Biderman

Mr. Oliver

John Sullivan

Sports Announcer (voice)

Richie O'Rourke

Sully's Dad

Low Man
This is certainly a case of less is more from Sir Anthony Hopkins. His considered performance as "Ted" lends much to this otherwise rather simple story of a widow (Hope Davis) and her young son "Bobby" (Anton Yeltsin). He befriends the young boy - much to the suspicion of the rather selfish, but loving, mother - and soon they are sharing confidences and the odd secret power as their bond gradually cements. It looks at the story from the older man's perspective as he reminisces about his own youth and from an engaging, enthusiastic Yeltsin's as the kid having his first love, dealing with school bullies etc.. It's delicately delivered: it has pace, but it is slow and thoughtful - and is a fairly faithful rendition of Stephen King's original story. Michael Danna's gentle accompaniment helps the story nicely, too.
