After fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia, he begins to question the tyrannical leadership of the despotic emperor Nero.
Marcus Vinicius
Lygia
Petronius
Nero
Poppaea
Peter
Paul
Eunice
Ursus
Plautius
Pomponia
Tigellinus
Nerva
Nazarius
Seneca
Phaon
Acte
Oscar-nominated Peter Ustinov is superb as the Emperor Nero in this depiction of the end of the reign of this flawed megalomanic. His behaviour is only tempered by the clever Leo Genn ("Petronius"), his arbiter of arts who manages by deft use of language and his wits, to keep the lunatic emperor from his worst excesses. Robert Taylor turns in a pretty standard performance as the film's hero "Vinicius" and Deborah Kerr looks stunning, though acts woodenly, as the rather simpering "Lygia". A wonderfully colourful spectacle of a film showing off the costumier and set designers arts to best effect. Miklós Rósza's score is suitably grand as our story gives the rise of Christianity the Hollywood treatment. It does run on a bit long, and I'm sure I spotted Sophia Loren driving a chariot...
Marcus Vinicius
Lygia
Petronius
Nero
Poppaea
Peter
Paul
Eunice
Ursus
Plautius
Pomponia
Tigellinus
Nerva
Nazarius
Seneca
Phaon
Acte
Oscar-nominated Peter Ustinov is superb as the Emperor Nero in this depiction of the end of the reign of this flawed megalomanic. His behaviour is only tempered by the clever Leo Genn ("Petronius"), his arbiter of arts who manages by deft use of language and his wits, to keep the lunatic emperor from his worst excesses. Robert Taylor turns in a pretty standard performance as the film's hero "Vinicius" and Deborah Kerr looks stunning, though acts woodenly, as the rather simpering "Lygia". A wonderfully colourful spectacle of a film showing off the costumier and set designers arts to best effect. Miklós Rósza's score is suitably grand as our story gives the rise of Christianity the Hollywood treatment. It does run on a bit long, and I'm sure I spotted Sophia Loren driving a chariot...