Five-thousand-year-old vampire Miriam promises her lovers the gift of eternal life. When John, her cellist companion for centuries, discovers that he has suddenly begun growing old, he attempts to seek out the help of Dr. Sarah Roberts, a researcher on the mechanisms of aging.

Miriam Blaylock

John Blaylock

Sarah Roberts

Tom Haver

Alice Cavender

Lieutenant Allegrezza

Phyllis

Ron

Young Woman from Disco

Young Man from Disco

Arthur Jelinek

Performer in Club (uncredited)

TV Host

Lillybelle

1st Phone Booth Youth

2nd Phone Booth Youth

Girl in London House

Boy in London House

Waiting Room Nurse
I have to admit that although I've had the DVD forever, simply based on the laurels of the beauty/acting accomplishments of David Bowie and Catherine Deneuve, and that nothing I had ever watched by Tony Scott, with the exception of 'Crimson Tide', really gripped me as being cinephilically exceptional. And no, this really isn't either. But I threw it on anyway, and especially considering it was Scott's debut, this wasn't so bad as to make Bram Stoker roll over in his grave. In fact, although perhaps a tad on the paper-thin plot side, it was quite enjoyable, an elegant and sad elegy of the pros and cons of immortality. Yes, it was more style than substance, yet that doesn't always have to be a bad thing. Here, at least, it wasn't, and I for one simply adored the ending.
April 29, 1983

Miriam Blaylock

John Blaylock

Sarah Roberts

Tom Haver

Alice Cavender

Lieutenant Allegrezza

Phyllis

Ron

Young Woman from Disco

Young Man from Disco

Arthur Jelinek

Performer in Club (uncredited)

TV Host

Lillybelle

1st Phone Booth Youth

2nd Phone Booth Youth

Girl in London House

Boy in London House

Waiting Room Nurse
I have to admit that although I've had the DVD forever, simply based on the laurels of the beauty/acting accomplishments of David Bowie and Catherine Deneuve, and that nothing I had ever watched by Tony Scott, with the exception of 'Crimson Tide', really gripped me as being cinephilically exceptional. And no, this really isn't either. But I threw it on anyway, and especially considering it was Scott's debut, this wasn't so bad as to make Bram Stoker roll over in his grave. In fact, although perhaps a tad on the paper-thin plot side, it was quite enjoyable, an elegant and sad elegy of the pros and cons of immortality. Yes, it was more style than substance, yet that doesn't always have to be a bad thing. Here, at least, it wasn't, and I for one simply adored the ending.
