Tongues begin to wag when a lonely widow becomes romantically involved with a military man. Problems arise when the gossip is filtered down to her own children.
Jessica Drummond
Major Scott Landis
Frank Everett
Mary Kimball
Cary Abbott
Ginna Abbott
George Van Orman
Anna
Kim Drummond
Riette Van Orman
Mary
Stella Thompson
Penny Boardman
Gretchen Van Orman
Dave (uncredited)
Guest at Van Ormans' New Year's Eve Party / Party Guest (uncredited)
The Van Ormans' Butler Jonathan (uncredited)
To me, Barbara Stanwyck is such the prototypical noir femme fatale, but her Pre-Code works like 'Baby Face' are masterpieces, and her other works, in which she shows her vulnerability, are just as appetizing to the cinephile. Excellent for fans of drama or melodrama, especially from that era, when a widow who's nagging, overbearing mother won't let her find happiness because of what the neighbours would say, just can't take it any more. To a certain extent, with current society, our constantly trying to fit in and get approval from others makes this just as relevant today. She had a decent, not great, supporting cast to work with, and though director Bernhardt wasn't A-list (my favourite of his is 'Possessed' with Joan Crawford), he's all right for this material, and the Warner Brothers' production values, including Max Steiner doing the score and gorgeous photography from James Wong Howe, make this a lesser-known, under-the-radar, hidden gem you might enjoy.
Jessica Drummond
Major Scott Landis
Frank Everett
Mary Kimball
Cary Abbott
Ginna Abbott
George Van Orman
Anna
Kim Drummond
Riette Van Orman
Mary
Stella Thompson
Penny Boardman
Gretchen Van Orman
Dave (uncredited)
Guest at Van Ormans' New Year's Eve Party / Party Guest (uncredited)
The Van Ormans' Butler Jonathan (uncredited)
To me, Barbara Stanwyck is such the prototypical noir femme fatale, but her Pre-Code works like 'Baby Face' are masterpieces, and her other works, in which she shows her vulnerability, are just as appetizing to the cinephile. Excellent for fans of drama or melodrama, especially from that era, when a widow who's nagging, overbearing mother won't let her find happiness because of what the neighbours would say, just can't take it any more. To a certain extent, with current society, our constantly trying to fit in and get approval from others makes this just as relevant today. She had a decent, not great, supporting cast to work with, and though director Bernhardt wasn't A-list (my favourite of his is 'Possessed' with Joan Crawford), he's all right for this material, and the Warner Brothers' production values, including Max Steiner doing the score and gorgeous photography from James Wong Howe, make this a lesser-known, under-the-radar, hidden gem you might enjoy.