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A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.
Rev. Dr. T. Lawrence Shannon
Maxine Faulk
Hannah Jelkes
Charlotte Goodall
Hank Prosner
Judith Fellowes
Nonno
Miss Peebles
Barkeeper (uncredited)
Teacher (uncredited)
_**Melodrama on the Mexican Coast with Burton, Gardner and Kerr**_ Released in 1964 and directed by John Huston based on Tennessee Williams' play, "The Night of the Iguana" stars Richard Burton as a defrocked Episcopal minister who resorts to a job leading bus tours on the Mexican west coast. As he guides a group of middle-aged Baptist women to Puerto Vallarta, he struggles with the attentions of a teen sexpot (Sue Lyon) and the antagonism of her curmudgeonly ward (Grayson Hall). The group ends up at a bed & breakfast where the effervescent proprietor (Ava Gardner) and a spiritual artist (Deborah Kerr) aid the ex-clergyman in coming to terms with the failures haunting him. Skip Ward plays the hunky bus tour assistant. As much as I appreciate this drama, it's too bad it was shot in B&W as color would've really enhanced it, particularly considering the resort setting. (I'll never understand why filmmakers insist on shooting in B&W when color is readily available). The movie is also marred by some contrived melodrama with Burton guilty of chewing too much scenery. At the same time, it's interesting to go back in time with these old dramas and observe the artificialities of the (over)acting based on the contrivances of an inflexible script. Despite my criticisms, there's a lot to savor here. The rich (and sometimes synthetic) dialogue is full of gems to mine. The film is an honest rumination on the human condition. The theme is to cease struggling and to ride out the hardships of life, whether they're the result of one's own folly or otherwise. The answer will come; just be on the look-out for the "messenger" or "assistant" and, of course, accept. On other fronts, Sue Lyon is outstanding as the Lolita, probably because she literally played Lolita in her previous film, 1962's "Lolita." Thankfully, she's more womanly here. She was 17 during filming and thoroughly sumptuous, particularly in her short shorts. Gardner also looked great at 41, but her character is too boozy and it's a turn-off. She's well contrasted by the almost saintly Kerr. Interestingly, there's a brief denouncement of lesbianism, which wouldn't work today. In our current upside down culture it would be hailed as the highest good, worthy of a call from the President (rolling my eyes). RUNTIME: 118 minutes. SHOOTING LOCATIONS: Puerto Vallarta and Mismaloya Village, Mexico. GRADE: B
August 6, 1964
Rev. Dr. T. Lawrence Shannon
Maxine Faulk
Hannah Jelkes
Charlotte Goodall
Hank Prosner
Judith Fellowes
Nonno
Miss Peebles
Barkeeper (uncredited)
Teacher (uncredited)
_**Melodrama on the Mexican Coast with Burton, Gardner and Kerr**_ Released in 1964 and directed by John Huston based on Tennessee Williams' play, "The Night of the Iguana" stars Richard Burton as a defrocked Episcopal minister who resorts to a job leading bus tours on the Mexican west coast. As he guides a group of middle-aged Baptist women to Puerto Vallarta, he struggles with the attentions of a teen sexpot (Sue Lyon) and the antagonism of her curmudgeonly ward (Grayson Hall). The group ends up at a bed & breakfast where the effervescent proprietor (Ava Gardner) and a spiritual artist (Deborah Kerr) aid the ex-clergyman in coming to terms with the failures haunting him. Skip Ward plays the hunky bus tour assistant. As much as I appreciate this drama, it's too bad it was shot in B&W as color would've really enhanced it, particularly considering the resort setting. (I'll never understand why filmmakers insist on shooting in B&W when color is readily available). The movie is also marred by some contrived melodrama with Burton guilty of chewing too much scenery. At the same time, it's interesting to go back in time with these old dramas and observe the artificialities of the (over)acting based on the contrivances of an inflexible script. Despite my criticisms, there's a lot to savor here. The rich (and sometimes synthetic) dialogue is full of gems to mine. The film is an honest rumination on the human condition. The theme is to cease struggling and to ride out the hardships of life, whether they're the result of one's own folly or otherwise. The answer will come; just be on the look-out for the "messenger" or "assistant" and, of course, accept. On other fronts, Sue Lyon is outstanding as the Lolita, probably because she literally played Lolita in her previous film, 1962's "Lolita." Thankfully, she's more womanly here. She was 17 during filming and thoroughly sumptuous, particularly in her short shorts. Gardner also looked great at 41, but her character is too boozy and it's a turn-off. She's well contrasted by the almost saintly Kerr. Interestingly, there's a brief denouncement of lesbianism, which wouldn't work today. In our current upside down culture it would be hailed as the highest good, worthy of a call from the President (rolling my eyes). RUNTIME: 118 minutes. SHOOTING LOCATIONS: Puerto Vallarta and Mismaloya Village, Mexico. GRADE: B
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