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At 14, best friends Robb Reiner and Lips made a pact to rock together forever. Their band, Anvil, hailed as the "demi-gods of Canadian metal" influenced a musical generation that includes Metallica, Slayer, and Anthrax. Following a calamitous European tour, Lips and Robb, now in their fifties, set off to record their 13th album in one last attempt to fulfill their boyhood dreams.
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**_Inspirational story of an obscure metal band from the 80s_** This is a documentary chronicling the Toronto metal band Anvil, focusing on the friendship and aspirations of the two main band members, singer/guitarist Steve "Lips" Kudlow and drummer Robb Reiner. The band formed in the late 70s as Lips, but changed their name to Anvil upon obtaining a record deal in 1981. The mid-80s were a good time for the young band and they were expected to go on to great success, but it was not to be. Guitarist Dave Allison left the band in 1989 followed by bassist Ian Dickson in 1993. But Steve & Robb soldiered on with new members, releasing album after album up to the present (16 studio albums altogether, as of this writing). When the film was shot, Ivan Hurd was the second guitarist with Glenn "Glenn Five" Gyorffy on bass. Both are featured in the movie while original members Allison and Dickson are featured in the deleted scenes on the DVD (their scenes shouldn't have been cut IMHO). This is a great inspirational documentary whether you like Anvil and metal/hard rock or not. I really like the band, but never heard their stuff until 2009 when I rented the 1988 movie Sleepaway Camp II: Unhappy Campers," which features two songs from Anvil's 1987 album STRENGTH OF STEEL, the catchy "Straight Between the Eyes" and "Wild Eyes." One critic claimed that their 1982 album METAL ON METAL was their best-selling recording, but that's simply not true, STRENGTH OF STEEL was; and, although it's maligned by some fans, it's easily one of their top albums and not "too commercial," as some erroneously contend (check out songs like "Concrete Jungle," "Paper General," "Kiss of Death" and the aforementioned "Straight Between the Eyes"). Anvil were just as good in their own unique way as any of the so-called Big Four, Metallica, Anthrax, Slayer and Megadeth. If you don't believe me, check out their top albums, like WORTH THE WEIGHT. (The album being recorded in the movie, THIS IS THIRTEEN, is actually NOT one of their better recordings, song-wise, nor is the follow-up JUGGERNAUT OF JUSTICE, although each have their points of interest). So why didn't Anvil AT LEAST attain the success of the secondary bands of the Big Four (i.e. Megadeth and Slayer)? Cheap production of their 80's albums may be one reason, although the production wasn't THAT bad for the era and certainly listenable; it was superior, for instance, to the production of albums by the contemporary Venom. Perhaps their location had something to do with their inability to reach the next level, but then how did Rush (another Toronto-based band) become so successful? (Then again, Rush switched from prog metal/rock to pop rock in the 80s). Bad management is likely another possibility. The reason is probably a combination of factors, including the band's sense of humor, Lips' outrageous antics and their sometimes goofy or juvenile lyrics (e.g. "Straight Between the Eyes"). In any case, this is a great documentary on the travails of trying to make it in a struggling rock/metal band. Their European tour shows that the lifestyle is difficult and takes dedication, to say the least: They miss trains, arrive late at a club in Prague because they were lost, play before small non-crowds, don't get paid and are offered goulash as a substitute. At a festival in Transylvania with a 10,000-seat capacity only 174 people show up. While there are certainly some high points on their tour it's mostly terrible. Steve, ever the optimist, responds, "Everything on the tour went drastically wrong. But at least there was a tour for it to go wrong on." I know of a local struggling metal band, by the way, that's currently touring Europe and I'm sure they're facing the exact same kinds of challenges. Anvil's family members are loyal, but think maybe they should throw in the towel. Yet Steve & Robb march forward in faith. A famous producer decides to produce their next album THIS IS THIRTEEN (2007), but it's going to cost thousands of dollars. Where are they going to get the money? And how are they going to release the album without a record contract? A Japanese promoter shows interest in having them play at a festival, but will more than a handful of fans show up? Then you have Steve and Robb's great friendship, which is seriously tested at times, like during the stress of recording their new album in England: Tempers flare, one quits in frustration and the other apologizes. Will they stay together? "Anvil: The Story of Anvil" is an entertaining lesson on faith in one's calling, perseverance, friendship, teamwork, glory/humility and the nature of true success. The film doesn't wear out its welcome at 80 minutes. GRADE: A-
January 14, 2008
Self - Lead Guitar
Self - Drummer
Self
Self
Self
Self
Self
Self
Self
**_Inspirational story of an obscure metal band from the 80s_** This is a documentary chronicling the Toronto metal band Anvil, focusing on the friendship and aspirations of the two main band members, singer/guitarist Steve "Lips" Kudlow and drummer Robb Reiner. The band formed in the late 70s as Lips, but changed their name to Anvil upon obtaining a record deal in 1981. The mid-80s were a good time for the young band and they were expected to go on to great success, but it was not to be. Guitarist Dave Allison left the band in 1989 followed by bassist Ian Dickson in 1993. But Steve & Robb soldiered on with new members, releasing album after album up to the present (16 studio albums altogether, as of this writing). When the film was shot, Ivan Hurd was the second guitarist with Glenn "Glenn Five" Gyorffy on bass. Both are featured in the movie while original members Allison and Dickson are featured in the deleted scenes on the DVD (their scenes shouldn't have been cut IMHO). This is a great inspirational documentary whether you like Anvil and metal/hard rock or not. I really like the band, but never heard their stuff until 2009 when I rented the 1988 movie Sleepaway Camp II: Unhappy Campers," which features two songs from Anvil's 1987 album STRENGTH OF STEEL, the catchy "Straight Between the Eyes" and "Wild Eyes." One critic claimed that their 1982 album METAL ON METAL was their best-selling recording, but that's simply not true, STRENGTH OF STEEL was; and, although it's maligned by some fans, it's easily one of their top albums and not "too commercial," as some erroneously contend (check out songs like "Concrete Jungle," "Paper General," "Kiss of Death" and the aforementioned "Straight Between the Eyes"). Anvil were just as good in their own unique way as any of the so-called Big Four, Metallica, Anthrax, Slayer and Megadeth. If you don't believe me, check out their top albums, like WORTH THE WEIGHT. (The album being recorded in the movie, THIS IS THIRTEEN, is actually NOT one of their better recordings, song-wise, nor is the follow-up JUGGERNAUT OF JUSTICE, although each have their points of interest). So why didn't Anvil AT LEAST attain the success of the secondary bands of the Big Four (i.e. Megadeth and Slayer)? Cheap production of their 80's albums may be one reason, although the production wasn't THAT bad for the era and certainly listenable; it was superior, for instance, to the production of albums by the contemporary Venom. Perhaps their location had something to do with their inability to reach the next level, but then how did Rush (another Toronto-based band) become so successful? (Then again, Rush switched from prog metal/rock to pop rock in the 80s). Bad management is likely another possibility. The reason is probably a combination of factors, including the band's sense of humor, Lips' outrageous antics and their sometimes goofy or juvenile lyrics (e.g. "Straight Between the Eyes"). In any case, this is a great documentary on the travails of trying to make it in a struggling rock/metal band. Their European tour shows that the lifestyle is difficult and takes dedication, to say the least: They miss trains, arrive late at a club in Prague because they were lost, play before small non-crowds, don't get paid and are offered goulash as a substitute. At a festival in Transylvania with a 10,000-seat capacity only 174 people show up. While there are certainly some high points on their tour it's mostly terrible. Steve, ever the optimist, responds, "Everything on the tour went drastically wrong. But at least there was a tour for it to go wrong on." I know of a local struggling metal band, by the way, that's currently touring Europe and I'm sure they're facing the exact same kinds of challenges. Anvil's family members are loyal, but think maybe they should throw in the towel. Yet Steve & Robb march forward in faith. A famous producer decides to produce their next album THIS IS THIRTEEN (2007), but it's going to cost thousands of dollars. Where are they going to get the money? And how are they going to release the album without a record contract? A Japanese promoter shows interest in having them play at a festival, but will more than a handful of fans show up? Then you have Steve and Robb's great friendship, which is seriously tested at times, like during the stress of recording their new album in England: Tempers flare, one quits in frustration and the other apologizes. Will they stay together? "Anvil: The Story of Anvil" is an entertaining lesson on faith in one's calling, perseverance, friendship, teamwork, glory/humility and the nature of true success. The film doesn't wear out its welcome at 80 minutes. GRADE: A-
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