A scientist builds a time machine and accidentally sends his apartment complex manager and a petty burglar to 16th century Moscow, while Tsar Ivan the Terrible travels to 1973.

Александр Тимофеев, инженер-изобретатель /Шурик

царь Иван Васильевич Грозный / управдом Иван Васильевич Бунша

Жорж Милославский / князь Милославский

Карп Савельевич Якин

Антон Семенович Шпак

Феофан, дьяк посольского приказу

Ульяна Андреевна Бунша

Зинаида Михайловна (Зина) Тимофеева

шведский посол

актриса, подруга режиссера Якина

Девушка свиты царицы

царица Марфа Васильевна

стрелец

врач

спекулянт радиотоварами

медсестра Шпака

музыкант, играющий на балалайке

стрелец

старшина милиции

лейтенант милиции
The film is praised for its manic and fast-paced energy, as well as its unique blend of slapstick and clever humor. It is considered an example of how comedy can thrive and even contain subtle social commentary under a repressive regime. The use of physical comedy, sped-up chase scenes, and goofy music, a trademark of director Gaidai, contributes to the film's comedic appeal. While some of the cultural references and in-jokes may be lost on Western audiences, the film's artistic richness and entertainment value have made it a widely loved comedy. The film features strong performances, particularly from Yuri Yakovlev, who masterfully plays both the timid apartment manager and the demanding Tsar. The elaborate castle settings and colorful cinematography also add to the film's charm.
September 17, 1973

Александр Тимофеев, инженер-изобретатель /Шурик

царь Иван Васильевич Грозный / управдом Иван Васильевич Бунша

Жорж Милославский / князь Милославский

Карп Савельевич Якин

Антон Семенович Шпак

Феофан, дьяк посольского приказу

Ульяна Андреевна Бунша

Зинаида Михайловна (Зина) Тимофеева

шведский посол

актриса, подруга режиссера Якина

Девушка свиты царицы

царица Марфа Васильевна

стрелец

врач

спекулянт радиотоварами

медсестра Шпака

музыкант, играющий на балалайке

стрелец

старшина милиции

лейтенант милиции
The film is praised for its manic and fast-paced energy, as well as its unique blend of slapstick and clever humor. It is considered an example of how comedy can thrive and even contain subtle social commentary under a repressive regime. The use of physical comedy, sped-up chase scenes, and goofy music, a trademark of director Gaidai, contributes to the film's comedic appeal. While some of the cultural references and in-jokes may be lost on Western audiences, the film's artistic richness and entertainment value have made it a widely loved comedy. The film features strong performances, particularly from Yuri Yakovlev, who masterfully plays both the timid apartment manager and the demanding Tsar. The elaborate castle settings and colorful cinematography also add to the film's charm.
