A woman is married to the son of a doctor, the proprietor of a private sanatorium, where she is under unwilling treatment. Both the son and the doctor indicate they want the marriage dissolved. Arriving at the scene is a mysterious personage identified as the doctor's cousin who formerly was a stage magician in Europe. He is accompanied by a threatening dwarf.

Prof Leonide

Dr. Josef Van Ee

Bill 'Bull' Raymond

Laura Van Ee

Jane Cornell

Lilly Beth

Ward Van Ee

Indigo

Terry Lee

Pathologist

Rene the Killer

Autopsy Surgeon

Mrs. Williams (uncredited)
It's only an hour long, but this still manages to involve a couple of the worst performances I've seen in a long, long time. Bela Lugosi and George Zucco - who can normally be relied upon to deliver well enough in these short horror/thriller features are just not on form together at all here. The dialogue is unsure in what genre the film wants to sit - a suspenseful thriller with the odd bit of comedy, or a comedic thriller with the odd, well, thrill. It appears to, reluctantly, settle for the latter but by then the somewhat irrelevant story of a murdered woman who relates the events leading up to the crime no longer really matters. It has way too many daft sub-plots and by the time we do approach the end you've almost forgotten what/who or, more importantly - why?
February 1, 1947

Prof Leonide

Dr. Josef Van Ee

Bill 'Bull' Raymond

Laura Van Ee

Jane Cornell

Lilly Beth

Ward Van Ee

Indigo

Terry Lee

Pathologist

Rene the Killer

Autopsy Surgeon

Mrs. Williams (uncredited)
It's only an hour long, but this still manages to involve a couple of the worst performances I've seen in a long, long time. Bela Lugosi and George Zucco - who can normally be relied upon to deliver well enough in these short horror/thriller features are just not on form together at all here. The dialogue is unsure in what genre the film wants to sit - a suspenseful thriller with the odd bit of comedy, or a comedic thriller with the odd, well, thrill. It appears to, reluctantly, settle for the latter but by then the somewhat irrelevant story of a murdered woman who relates the events leading up to the crime no longer really matters. It has way too many daft sub-plots and by the time we do approach the end you've almost forgotten what/who or, more importantly - why?
