After divorcing a society man, a small-town woman tries to build a better life for their daughter.
Stella Dallas
Stephen Dallas
Laurel "Lollie" Dallas
Helen Morrison
Ed Munn
Mrs. Martin
Charlie Martin
Miss Margaret Phillibrown
Richard Grosvenor III
Mrs. Grosvenor
Con Morrison - Grown Up
Lee Morrison
Ed's Landlady (uncredited)
Mr. Beamer (uncredited)
Train Passenger (uncredited)
Girl at Soda Shop / Train Passenger (uncredited)
Undetermined Secondary Role (uncredited)
Man on Train (uncredited)
Barbara Stanwyck is the ambitious, working class "Stella" who, determined to improve her lot in life, marries well-to-do "Stephen Dallas" (John Boles) and shortly afterwards they have a daughter "Laurel" (Anne Shirley). It doesn't take long before the couple become estranged and "Laurel" the sole focus of her mother's attentions. Nothing is too good for her, and in striving to give "Laurel" the best she gradually realises - sometimes, by some rather harsh means - that she herself may be standing in the way of the girl's happiness; particularly once her now ex-husband finds love elsewhere with a family her daughter adores. The performances deal well with the issues of ambition, devotion, snobbery and emotional cruelty and Stanwyck plays the title role with skill and sincerity. Alan Hale is also good, as the avuncular gambler, in this ultimately rather touching story.
Stella Dallas
Stephen Dallas
Laurel "Lollie" Dallas
Helen Morrison
Ed Munn
Mrs. Martin
Charlie Martin
Miss Margaret Phillibrown
Richard Grosvenor III
Mrs. Grosvenor
Con Morrison - Grown Up
Lee Morrison
Ed's Landlady (uncredited)
Mr. Beamer (uncredited)
Train Passenger (uncredited)
Girl at Soda Shop / Train Passenger (uncredited)
Undetermined Secondary Role (uncredited)
Man on Train (uncredited)
Barbara Stanwyck is the ambitious, working class "Stella" who, determined to improve her lot in life, marries well-to-do "Stephen Dallas" (John Boles) and shortly afterwards they have a daughter "Laurel" (Anne Shirley). It doesn't take long before the couple become estranged and "Laurel" the sole focus of her mother's attentions. Nothing is too good for her, and in striving to give "Laurel" the best she gradually realises - sometimes, by some rather harsh means - that she herself may be standing in the way of the girl's happiness; particularly once her now ex-husband finds love elsewhere with a family her daughter adores. The performances deal well with the issues of ambition, devotion, snobbery and emotional cruelty and Stanwyck plays the title role with skill and sincerity. Alan Hale is also good, as the avuncular gambler, in this ultimately rather touching story.