A group of friends attempts to make a 'halal' film that conforms to the guidelines and descriptions of an Islamic organization which they are a part of.

Suhra

Shereef

Thoufeeq

Siraj

Azad. Sound Recordist in Tele Cinema

Haseena (Acting Workshop)

Raheem Sahib

Jayan. Cinematographer in Tele Cinema

Makeup Man in Tele Cinema

Abukka. Tile Factory Owner

Abukka's Friend at Tile Factory

Abhi. Associate Director in Tele Cinema

Raheem Sahib's Wife

Thoufeeq's Mother

Washing Lady

Divorce Lawyer

Siraj's Wife
I lost interest in Halal Love Story (Love Story Per Muslim Law) sometime around the 30th minute but I soon regained it as the messaging became more apparent and the story began to hit me in my feelings. The message - that cinema is not unidirectional - is food for thought, but I am finding it unable to accept or deny it, especially with the concept of halal in cinema hovering above, which is what the film is all about. Performances are top-notch and I would like to mention Grace Antony (who is top-billed), Sharafudheen, and Joju George for giving some of the best acts seen this year. Music is another area where it excels. But despite all that, this comedy drama reduces itself as a veiled attempt at censoring, which I have a big problem with personally. Halal Love Story ends up as a half-baked feel-good attempt that depends on metaphors to push a divisive messaging concerning Islam. Although it clarifies that the messaging is only to satiate the sentiments of the few, it comes off as unpalatable and indoctrinate. (Grade D+). TN.
October 15, 2020

Suhra

Shereef

Thoufeeq

Siraj

Azad. Sound Recordist in Tele Cinema

Haseena (Acting Workshop)

Raheem Sahib

Jayan. Cinematographer in Tele Cinema

Makeup Man in Tele Cinema

Abukka. Tile Factory Owner

Abukka's Friend at Tile Factory

Abhi. Associate Director in Tele Cinema

Raheem Sahib's Wife

Thoufeeq's Mother

Washing Lady

Divorce Lawyer

Siraj's Wife
I lost interest in Halal Love Story (Love Story Per Muslim Law) sometime around the 30th minute but I soon regained it as the messaging became more apparent and the story began to hit me in my feelings. The message - that cinema is not unidirectional - is food for thought, but I am finding it unable to accept or deny it, especially with the concept of halal in cinema hovering above, which is what the film is all about. Performances are top-notch and I would like to mention Grace Antony (who is top-billed), Sharafudheen, and Joju George for giving some of the best acts seen this year. Music is another area where it excels. But despite all that, this comedy drama reduces itself as a veiled attempt at censoring, which I have a big problem with personally. Halal Love Story ends up as a half-baked feel-good attempt that depends on metaphors to push a divisive messaging concerning Islam. Although it clarifies that the messaging is only to satiate the sentiments of the few, it comes off as unpalatable and indoctrinate. (Grade D+). TN.

